Lighting:
For our performance part of our video, we have chosen to film the performer inside in a low key lighting room. For our test shots, we used a dark room in a photography apartment. In the first clip we used two lamps that were situated behind the camera. We found that the two lamps would not work as the lighting was too high key for what we wanted to achieve. We need to achieve a low key lighting in order to connote sadness, loneliness and heartbreak.
For the second clip, we turned the red lights on in the room and used one lamp which we covered with a tray. The room immediately became low key; however, we decided that the red lighting would not be suitable for our music video. Therefore, we have decided to bring in some fairy lights to wrap around the stall. This will hopefully highlight the stall and the performer, whilst also achieving a successful low-key lighting effect.
The first shot we tried out was a low level tracking shot. We did this by securing the camera onto a tripod and holding it downwards onto our foot. By using this technique, we achieved a hand held shot effect which connotes realism; therefore it would be effective in our music video. The pace would need to be slower in order for the visuals to match the music in the video. By referring to Goodwin's theory, this technique would be effective for our music video as it would connote sadness and the isolation due to the slow pace of walking.
Next we filmed a panning shot, which panned from left to right. The shot worked as it appeared smooth; however, the pace of walking would need to be slower and also the pace of the camera movement would have to be too. We would need to create continuity with the pace as half way through the pace of the camera movement sped up in order to keep up with the walking. A panning shot is good to use as it will enable our audience to have a clear view of the background as well as the performer.
We were really happy with the outcome from the 360 degree test shot. The pace could perhaps be slightly slower and the camera could be situated a bit higher in order for the audience to gain a larger visual aspect of what is surrounding the performer. The high angle will also connote a vulnerability which links in to the theme of our chosen song as well. Overall it was a successful shot to use which was achieved by a camera on a tripod.
We decided to film a variety of tracking shots as this will be a common shot type for our music video. Due to the narrative taking place in a woods, the camera will spend much of the time tracking the performer walking through leaves, trees and the woods in general. Therefore, we needed to try a range of different tracking shots in order to create a variety that would be more interesting for the audience.
The first tracking shot we tried was the camera on a tripod wheels following the performer from behind. This worked well and will be featured in our music video. Again the pace would have to be slower in order to match the visuals with the music. The next tracking shot we did, was having the performer walk towards the camera, whilst the camera tracked backwards. We liked this shot as it connects the audience to the performer as they are seen to be walking towards them.
The tilt shot followed by a zoom in wasn't very successful as the camera jilted even though it was on a tripod. We decided that it may be better to have some movement from the performer, which could have made the shot more successful. As the camera zoomed in, the performer could have walked towards it. The tilt shot at the end of the video was more successful as the pace was suitable and it showed the bar stool, performer and some of the surrounding location. We decided to have the camera tilt up from the feet in order to connote sadness, this is then amplified by the expression on the performer's face, as well as the lyrics in the song.